The South's Most Experienced Red Supplier

Red # 13, @ DR&A Studios - December 2007

In production, like life - guaranteed success all comes down to experience. With Red, experience can mean the difference between an "OK" looking picture, and an award winning picture.

We are proud to say that the crew at DR&A are most experienced Red Camera Technicians in the South!

Starting in fall 2007 with Beta cameras #97 and #13 as a spare from Red Digital Cinema, we began to shoot and DIT the South's first ever red productions. Now, with 18 budgeted projects so behind us, there are imitators, but none like us.

We've worked with the camera so much, we can configure your project, change formats, reload mags blindfolded, then cook your footage in ANY format you desire.

Troubleshooting on set? Forget about it. We've been there since the first cameras came off the line. If something goes sideways, we've probably already dealt with it, and we'll certainly be able deliver the highest quality footage, hands down.

We've created Red One digital workflows to fit a wide variety of Commercial, Music Video, Feature Film and Documentary productions. We've been examining, processing footage, working with the South's most progressive post houses to bring the best path to a beautiful 4K, 2K or HD image.

PL Mount optics from Zeiss, Cooke, Arri, Angenieux Century Precision Optics and any other lens you can think of at 4K resolution can create some of the most amazing pictures you have ever seen, and the speed of the creative process will amaze you and your clients.

Think 35mm, at Varicam prices.

We've even had a couple of our favorite DP's swear off Super 16mm for life. We like to think that it wasn't just the camera the put the nail in that coffin.

With so many projects completed with some of the the Country's brightest young creatives and experienced DP's, we're proud to say we are with the the most experienced providers of Red camera systems and Technical personnel in the United States, no matter what anyone tells you.

Equipment - Crews - Studios

Our extremely professional, experienced crews are held in high regard Nationally by Directors, DP's and Producers for their ability to pull consistently stellar images from this exciting new camera system.

In the Studio, on location far from home, aerials, boats, camera cars, race cars, sun, rain and freezing temperatures, we've already done it. Rigged it. Figured it out.

Late, fast downloads, format conversions for editors live on set, offline the next morning, we've been there too, more than a couple of times.

It's really simple. We know the Red One camera better than anyone in the South... just ask the guys at Red.

For more information or references, please call Bret Weeks or Jami Thompson@ (615) 256-6200, or email red@griptruck.com